Snow White's sitting by her cottage window gazing out and singing this sparrow song she's learned from, well a sparrow, and she's musing about her life and love and mostly she is thinking about what it would BE like to fuck a guy who's you know, as TALL as she is. Taller maybe even.

Because she's never fucked anyone but the dwarves and that's hard because even when they stand on one another's shoulders (one to kiss her, one to rub her tits, one to fuck her) it's just so physically AKWARD, and besides too, she wants to experience a regular sized man's cock. Not that she's sure a regular sized man's cock is going be any BETTER (she finds dwarf-cocks pleasing) but it would be DIFFERENT. And Snow White LIKES change, she SEEKS OUT experimentation--I mean she's this adventuresome-spirited-real-potential-SEXPOT.

It's just…it's TOUGH when the murderous intentions of your stepmother keep you locked away in a dwarf cottage and INTERFERE with the full realization of your every sexual NEED. So. Cut to this RAT-A-TAT-TAT at the dwarf-cottage door.

Now, Snow White's on her guard, I mean, she's been warned about the potential hazards of forest traveling STRANGERS but when she opens up the little half-door and sees the back of this TALL cape clad figure, the allure of his height OVERCOMES her. She invites this 6'2 supernatural being in for a drink.

They don't waste time talking. Among other reasons the vampire has ESP and knows exactly what Snow White is going to say. He sends her MIND COMMANDS. He tells her, her dwarf-friends are dead. He presents seven small dwarf hats (all properly labeled) and laments his monstrosity. "FORGIVE ME!" he mind shouts. "They just, they came into my cave!"

And he seems so SAD, and Snow White is TOTALLY sad, and it's not necessarily a marker of pride but sadness has this way of making Snow White really HORNY.

And next thing you know she and the vampire are PASSIONATELY fucking, and he's calling her, "MINA!" and she retaliates with "Happy!" (and then "Doc, Sleepy, Grumpy, Dopey!) and it goes on like this. The two of them calling out for people that can never return. And it's lonely. And it's complicated. But too it's MEANINGFUL because misappropriated name-calling adds a real... sexual DEPTH.

And when the Vampire comes inside Snow White, it's like this real AWAKENING because Snow White HAS TO leave the forest now (how can she stay with all these dead-dwarf-reminders), I mean she's got a LIFE TO LEAD, there are MEN TO EXPERIENCE. And it's ironic isn't it, that a vampire (bringer of death and darkness) could be such a LIGHT for Snow White. A real fuck-awakening kind of savior.

THE END